Department of Comparative Literature2024-11-0920129780-8131-3580-9N/A2-s2.0-84904837558N/Ahttps://hdl.handle.net/20.500.14288/14911his article explores attempts by Jack Kerouac and Allen Ginsberg to transcribe their drug experiences onto the written page. Utilizing both Maurice Merleau-Ponty’s work on intersubjective communication and Gilles Deleuze and Felix Guattari’s conception of the “Body Without Organs,” it argues that by writing “through the body,” Kerouac and Ginsberg are able to transmit the physical and emotional effects of the drug experience to the reader via the medium of the text. he reader thus receives not just an objective account of the drug experience, but becomes privy to the alterations in temporal percep- tion and intersubjective empathy that drug use inaugurates.LiteratureBook Chapterhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-84904837558andpartnerID=40andmd5=5ddd295e64ca2b4edfa5359be897df02N/A5472