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High off the page representing the drug experience in the work of Jack Kerouac and Allen Ginsberg

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dc.contributor.coauthorNA
dc.contributor.departmentDepartment of Comparative Literature
dc.contributor.kuauthorMortenson, Erik
dc.contributor.kuprofileFaculty Member
dc.contributor.otherDepartment of Comparative Literature
dc.contributor.schoolcollegeinstituteCollege of Social Sciences and Humanities
dc.contributor.yokidN/A
dc.date.accessioned2024-11-09T22:50:35Z
dc.date.issued2012
dc.description.abstractN/A
dc.description.indexedbyWoS
dc.description.openaccessNO
dc.description.publisherscopeInternational
dc.identifier.doiN/A
dc.identifier.isbn978-0-8131-3582-3
dc.identifier.uriN/A
dc.identifier.urihttps://hdl.handle.net/20.500.14288/6689
dc.identifier.wos313066800012
dc.keywordsN/A
dc.languageEnglish
dc.publisherUniv Press Kentucky
dc.sourcePhilosophy Of The Beats
dc.subjectLiterary theory
dc.subjectLiterary criticism
dc.titleHigh off the page representing the drug experience in the work of Jack Kerouac and Allen Ginsberg
dc.typeBook Chapter
dspace.entity.typePublication
local.contributor.authoridN/A
local.contributor.kuauthorMortenson, Erik
relation.isOrgUnitOfPublication4d7bb696-a523-4c96-8832-64baef1b8b21
relation.isOrgUnitOfPublication.latestForDiscovery4d7bb696-a523-4c96-8832-64baef1b8b21

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