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A newly read inscription on the walls of Antalya, Turkey

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In this paper, I employ a Seljuk inscription from the walls of Antalya, Turkey, which I have deciphered, in order to examine one instance of what Oleg Grabar has described as “...the continuity of a relationship between writing and the formal expression of government and of power...” An inscription on the walls of a city recently reconquered by an Islamic monarch from a rebellious Christian populace seems particularly well suited to an analysis of the nexus of form, content, and context implicit in the continuity proposed by Professor Grabar.

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Brill

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Islamic epigraphy, Seljuk architecture, Arabic inscriptions, Islamic art and architecture

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Muqarnas Online: An Annual on the Visual Cultures of the Islamic World

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10.1163/22118993_02501009

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