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Theatre of anger: radical transnational performance in contemporary Berlin

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dc.contributor.departmentDepartment of Comparative Literature
dc.contributor.kuauthorReisoğlu, Mert Bahadır
dc.contributor.schoolcollegeinstituteCollege of Social Sciences and Humanities
dc.date.accessioned2024-11-09T23:23:31Z
dc.date.issued2022
dc.description.indexedbyWOS
dc.description.issue1
dc.description.openaccessNO
dc.description.publisherscopeInternational
dc.description.sponsoredbyTubitakEuN/A
dc.description.volume95
dc.identifier.eissn1756-1183
dc.identifier.issn0016-8831
dc.identifier.urihttps://hdl.handle.net/20.500.14288/11260
dc.identifier.wos748827900009
dc.keywordsLinguistics
dc.keywordsLiterature
dc.language.isoeng
dc.publisherWiley
dc.relation.ispartofGerman Quarterly
dc.subjectLanguage
dc.subjectLinguistics
dc.subjectLiterature, German, Dutch, Scandinavian
dc.titleTheatre of anger: radical transnational performance in contemporary Berlin
dc.title.alternativeBook Review: Olivia Landry’s Theatre of anger: radical transnational performance in contemporary Berlin
dc.typeBook Review
dspace.entity.typePublication
local.contributor.kuauthorReisoğlu, Mert Bahadır
local.publication.orgunit1College of Social Sciences and Humanities
local.publication.orgunit2Department of Comparative Literature
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