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The paradox of experience: black art and black idiom in the work of Amiri Baraka

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dc.contributor.departmentDepartment of Philosophy
dc.contributor.kuauthorRoney, Patrick
dc.contributor.kuprofileFaculty Member
dc.contributor.otherDepartment of Philosophy
dc.contributor.schoolcollegeinstituteCollege of Social Sciences and Humanities
dc.contributor.yokidN/A
dc.date.accessioned2024-11-09T23:52:44Z
dc.date.issued2003
dc.description.abstractN/A
dc.description.indexedbyWoS
dc.description.indexedbyScopus
dc.description.issue44987
dc.description.openaccessYES
dc.description.volume37
dc.identifier.doi10.2307/1512324
dc.identifier.issn1062-4783
dc.identifier.scopus2-s2.0-61949231664
dc.identifier.urihttp://dx.doi.org/10.2307/1512324
dc.identifier.urihttps://hdl.handle.net/20.500.14288/14883
dc.identifier.wos186209300023
dc.keywordsN/A
dc.languageEnglish
dc.publisherAfrican American Review
dc.sourceAfrican American Review
dc.subjectLiterature
dc.subjectAmerican literature
dc.titleThe paradox of experience: black art and black idiom in the work of Amiri Baraka
dc.typeJournal Article
dspace.entity.typePublication
local.contributor.authorid0009-0009-2899-5015
local.contributor.kuauthorRoney, Patrick
relation.isOrgUnitOfPublication005b6224-491a-49b4-9afc-a4413d87712b
relation.isOrgUnitOfPublication.latestForDiscovery005b6224-491a-49b4-9afc-a4413d87712b

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