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Permanent URI for this collectionhttps://hdl.handle.net/20.500.14288/3

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    The rock-cut tomb on the Duver peninsula: an early example from Pisidia and remarks on cultural interactions
    (Koc Univ Suna & Inan Kirac Res Ctr Mediterranean Civilizations-Akmed, 2012) N/A; N/A; Kahya, Tarkan; Researcher; The Suna & İnan Kıraç Research Center for Mediterranean Civilizations (AKMED) / Suna ve İnan Kıraç Akdeniz Medeniyetleri Araştırma Merkezi (AKMED); N/A; N/A
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    Of networks and knives: a bronze knife with herringbone decoration from the citadel of Kaymakçı (Manisa IU/TR)
    (Romisch-Germanisches Zentralmuseum, 2019) Pieniazek, Magda; Pavúk, Peter; Department of Archeology and History of Art; Department of Archeology and History of Art; Roosevelt, Christopher Havemeyer; Roosevelt, Christina Marie Luke; Faculty Member; Faculty Member; Department of Archeology and History of Art; College of Social Sciences and Humanities; College of Social Sciences and Humanities; 235115; 235112
    During the first season of excavations in 2014 at the Late Bronze Age site of Kaymakci, a bronze knife with an unusually decorated handle was found. Kaymakci is a recently discovered citadel located c. 100 km east of the Aegean coast in the Gediz Valley and is one of the few excavated sites from interior western Anatolia. The knife was recovered in the tower-like structure attached to the fortifications at the northwestern extent of the citadel. It belongs to a small group of solid-hilted knives (Sandars Class 4) known until recently only from elite graves and ritual contexts in the Peloponnese, Crete, Psara, and Troy. The knife shares decorative ribbing, a solid bronze knob at the end of its handle, and some other features with its Aegean counterparts. However, the geometric style of its decoration, such as the central herringbone-pattern, is unparalleled among Minoan and Mycenaean art, corresponding instead with geometric designs known from other western Anatolian finds. Therefore, the herringbone knife from Kaymakci, most probably the property of a member of the western Anatolian elite, is an outcome of the fusion of Aegean and western Anatolian traditions. Simultaneously, it is one of the first known examples of a local ornamental style, still poorly known due to the state of research in interior western Anatolia.
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    The inscription of the Kırkgöz Hanı and the problem of textural transmission in Seljuk Anatolia
    (Suna & Inan Kirac Research Inst Mediterranean Civilizations, 2009) N/A; Redford, Scott; Researcher; Koç University Research Center for Anatolian Civilizations (ANAMED) / Anadolu Medeniyetleri Araştırma Merkezi (ANAMED); N/A; N/A
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    Cultic symbolism at the city gates: two metal foundation pegs from Tell Atchana, Alalakh (Turkey)
    (Koc Univ Suna & Inan Kirac Res Ctr Mediterranean Civilizations-Akmed, 2016) N/A; Arıkan, Gonca Dardeniz; PhD Student; Graduate School of Social Sciences and Humanities; 313982
    Öz: Bu çalışma, C. L. Woolley tarafından Aççana Höyük, eski Alalah kentinde yapılan kazılarda bulunmuş iki adet metalden yapılma yapı-adak çivisini konu etmektedir. Orta Tunç Çağı’na tarihlenen Seviye VII ve Geç Tunç Çağı’na tarihlenen Seviye V’te ortaya çıkarılan şehir kapılarına yerleştirilmiş olan eserlerin buluntu yerleri, arkeolojik olarak genellikle mabet temellerinde bulunan benzerlerine nazaran farklıdır. Şehir kapıları ile bağlantılı bulunan eserlerin bu konumları, kült ve ritüel açısından da sembolik bir anlam taşımaktadır. Bu makalede, yapı-adak çivileri geleneğinin çıkışından başlayarak bu eserlerin nitelikleri incelenmiş, Alalah buluntuları ile malzeme ve ikonografi açısından benzerlik gösteren eserler tartışılmıştır. Yazılı kaynaklardan yola çıkarak, şehir kapılarının törensel ve dini önemleri özetlenmiş ve yerleşke özelinde yapı adak çivileri ve şehir kapıları arasındaki sembolik ilişkiye dair yeni bir olgu, öneri olarak sunulmuştur.