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Publication Open Access Digital populism: trolls and political polarization of Twitter in Turkey(University of Southern California, Annenberg School for Communication _ Journalism, 2017) Department of Media and Visual Arts; Department of Sociology; Bulut, Ergin; Yörük, Erdem; Faculty Member; Faculty Member; Department of Media and Visual Arts; Department of Sociology; College of Social Sciences and Humanities; 219279; 28982This article analyzes political trolling in Turkey through the lens of mediated populism. Twitter trolling in Turkey has diverged from its original uses (i.e., poking fun, flaming, etc.) toward government-led polarization and right-wing populism. Failing to develop an effective strategy to mobilize online masses, Turkey’s ruling Justice and Development Party (JDP/AKP) relied on the polarizing performances of a large progovernment troll army. Trolls deploy three features of JDP’s populism: serving the people, fetish of the will of the people, and demonization. Whereas trolls traditionally target and mock institutions, Turkey’s political trolls act on behalf of the establishment. They produce a digital culture of lynching and censorship. Trolls’ language also impacts pro-JDP journalists who act like trolls and attack journalists, academics, and artists critical of the government.
Publication Metadata only From Titanic to Game of Thrones: promoting belfast as a global media capital(Sage, 2019) Department of Media and Visual Arts; Rappas, İpek Azime Çelik; Faculty Member; Department of Media and Visual Arts; College of Social Sciences and Humanities; 183702Using information gathered through analysis of screen industry-related promotion material and fieldwork conducted in Belfast in June 2017, this article traces the ways in which screen economy connected to James Cameron's Titanic (1997) and HBO's Game of Thrones and the celebratory discourse around these works brand Belfast as a dynamic global media capital. This study inquires into the ways in which association with screen industries contributes to the spatial value of a region, especially a post-industrial city that actively seeks to alter its past global image and association with a violent civil conflict. It also aims to contribute to the debate about the discourse on labor in creative cities by showing that while manufacturing labor is waning, its discourse of social welfare, hard labor, and craftsmanship transfers itself to creative industries that then justify themselves through the claim to inherit traditional industries' economic strength, job opportunities, and work ethics.Publication Metadata only Religious practices and conversations in American and Israeli prime-time television programming(Inst of Social Sciences Ivo Pilar, 2018) Cohen, Yoel; Department of Media and Visual Arts; Hetsroni, Amir; Faculty Member; Department of Media and Visual Arts; College of Social Sciences and Humanities; 258782This comparative content analysis examines the extent to which religion finds expression in mainstream TV programming. The appearance of religious practices, the level of fulfillment they bring, and the extent to which they accord with religious law along with the tone of conversation about religion were coded in 154 hours of prime-time network programming from the USA and 112 hours of prime-time programming aired by the major TV stations in Israel. The results indicate a very infrequent presence of religion in the programming in the two countries: once in two hours in Israel and once in three hours in the USA, but while in US programming more than three quarters of the religious practices brought fulfillment to their participants and more than 90% of the practices adhered fully or partly to religious rules, in Israeli shows only one quarter of the practices brought fulfillment and just half of them adhered fully or partly to religious rules. Conversation about religion appeared just as infrequently as practices did, but its tone was mainly positive in both countries.Publication Metadata only Social media and the nation state: of revolution and collaboration(Sage, 2016) Department of Media and Visual Arts; Bulut, Ergin; Faculty Member; Department of Media and Visual Arts; College of Social Sciences and Humanities; 219279This article examines the legal infrastructure of social media governance in the politically contested context of contemporary Turkey. It looks at how social media companies (specifically, Twitter and Facebook (FB)) and the nation state (Turkey) have negotiated power in the aftermath of Gezi Uprising in Summer 2013. I argue that while today's concerns regarding online surveillance might echo the calls for a new world information order of the 1970s, the world system model based on the core-periphery distinction has considerably changed. The useful insights of cultural imperialism fall short of explaining the geopolitical context within which Turkey finds itself in the aftermath of the Arab Uprisings and the sub-imperial relations within which she struggles to establish hegemony in the region. Findings suggest that the Turkish state tries hard to establish the legal and material infrastructure for these companies' operations. FB is more open to cooperation with the nation state, while Twitter has chosen to legally negotiate with the government. There also seems to be major risk for activists given the contradictory articulation of nation state and corporate interests.Publication Metadata only The pandemic shock doctrine in an authoritarian context: the economic, bodily, and political precarity of Turkey’s journalists during the pandemic(Sage Publications Ltd, 2022) Ertuna, Can; Department of Media and Visual Arts; Bulut, Ergin; Faculty Member; Department of Media and Visual Arts; College of Social Sciences and Humanities; 219279What happens to journalists when hit by a pandemic in a country governed by authoritarian media regulations? We examine journalists' experience in Turkey's mainstream and alternative media and find that while the pandemic has deepened their economic precarity, journalists further suffer from bodily and political precarity. In the context of Covid, the body emerges as a site on which precarity with multiple dimensions (economic anxiety, illness, and state violence) is inscribed. Under the conditions of what we deem political precarity, most journalists cannot speak truth to power as the pandemic is politically instrumentalized. This retheorizing of precarity dewesternizes the term by connecting it to state-induced forms of violence relying on relations of political recognition and value ascription. We urge journalism and media labor studies to refrain from Eurocentricism and technological determinism that center the standard employment model and the disruptive cultures of technology at the expense of body and politics.Publication Metadata only Turkey's failed coup as an 'ongoing media event' and the formation of public affect(Sage Publications Ltd, 2019) Department of Media and Visual Arts; Department of Sociology; Bulut, Ergin; Can, Başak Bulut; Faculty Member; Faculty Member; Department of Media and Visual Arts; Department of Sociology; College of Social Sciences and Humanities; College of Social Sciences and Humanities; 219279; 219278Following the coup attempt in Turkey, former Gulenists made appearances on various television channels and disclosed intimate and spectacular information regarding their past activities. We ask: what is the political work of these televised disclosures? In answering this question, we situate the coup within the media event literature and examine the intimate work of these televised disclosures performed as part of a media event. The disclosures we examine were extremely spectacular statements that worked to reconstruct a highly divided and polarized society through an intimate language. Consequently, these television performances had two functions: ideological and affective. First, these disclosures and television shows chose to foreground sensation and therefore mystified the illegal networks that historically prepared the coup. Second, using a language of regret and apology, these disclosures aimed to teach the audience how to be purified and good citizens through a mediated, pedagogical relationship. Within the vulnerable context of a hegemonic crisis, these disclosures intended to form their own publics where citizens were invited to sympathize with those who made mistakes in the past, ultimately aiming to create national unity and reconciliation.Publication Metadata only Wireless telephone, materiality, and making of the national auditory in Turkey(Sage, 2023) Department of Media and Visual Arts; Ünal, Nazlı Özkan; Faculty Member; Department of Media and Visual Arts; College of Social Sciences and Humanities; 309365This paper focuses on the radio’s novelty years in 1920s Turkey to examine how the functions of wireless technology as a material artifact are negotiated in ways that fashion a national auditory. Most studies on radio’s history prioritize sound, eliding people’s tinkering with the wireless as a technical object. Based on archival research and oral history interviews, I suggest that early radio as a material object required as much of its listeners’ attention as did the broadcast content. In young Turkey’s war-torn economy, the only affordable way to listen to radio was learning how to assemble a receiver. Few owners of manufactured radios also learnt how to fix frequent problems. To form a passive national auditory, the state monitored the cultivation of these technical skills by banning transmitter-construction while encouraging assembling/fixing receivers. In addition to the body’s visceral/affective capacities, then, nation-states also discipline technical skills while forming a national auditory.