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Now showing 1 - 4 of 4
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    Artemis Ephesia, the emperor and the city: impact of the imperial cult and the civic identity of Roman Ephesos
    (Peeters Publishers, 2016) N/A; Van Der Linde, Dies; PhD Student; Graduate School of Social Sciences and Humanities; N/A
    Roman Ephesos had a diverse religious community. Numerous studies have focused on one or several Ephesian cults, but few have emphasised the intertwinement of these cults. This article stresses the intimate connection between two of the most important cults of Roman Ephesos - the cult of Artemis Ephesia and the imperial cult - and the Ephesian civic institutions. Though approaching the cults as local institutions, and therefore acknowledging the power relations at play within the city of Ephesos, it also takes the involvement of the Ephesian community into account. The intertwinement of both cultic institutions and the city, summarised by the term 'Ephesian triad', becomes evident through my discussion and interpretation of the urban topography, the religious activities and the civic coinage of Roman Ephesos. In view of its connection with the cult of Artemis Ephesia, the rise and impact of the imperial cult in Ephesos had fundamental consequences for the communal civic identity of Ephesos: did Ephesos continue to be the city of Artemis Ephesia it had been for so long?
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    Chapter 7 A syro-cilician pitcher from a middle Bronze age kitchen at Tell Atchana, Alalakh
    (Brill, 2017) N/A; Akar, Müge Bulu; PhD Student; Graduate School of Sciences and Engineering; N/A
    This paper presents a Syro-Cilician ware pitcher from a recently excavated Middle Bronze Age palace kitchen context at Tell Atchana, Alalakh. Although Syro-Cilician ware is the prevailing painted pottery tradition in the first half of the second millennium bc within a broad but specific area, the ware has been understudied. This paper aims to be the initial step of an interregional research project regarding the technological, stylistic, functional, cultural, and chronological aspects of Syro-Cilician ware. The features and comparatives of the Atchana pitcher exemplify the larger data set and research directions of the planned project.
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    Mapping İstanbul's hammams of 1752 and their employees
    (Berghahn Books, 2015) Department of Archeology and History of Art; N/A; Ergin, Nina Macaraig; Özarslan, Yasemin; Faculty Member; PhD Student; Department of Archeology and History of Art; College of Social Sciences and Humanities; Graduate School of Social Sciences and Humanities; N/A; N/A
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    Sharing technologies and workspaces for ceramic and vitrified material production at Tell Atchana-Alalakh
    (Brill, 2017) N/A; Arıkan, Gonca Dardeniz; PhD Student; Graduate School of Social Sciences and Humanities; 313982
    Scientific and archaeological research on pyrotechnical installations of the Late Bronze Age at Tell Atchana/Alalakh provide new opportunities to observe intercultural and intertechnical connections between Anatolia, the Levant, Egypt, and the Aegean. Each region harmonized and adopted various cultural elements in producing ceramics and vitrified materials. lb IIa Alalakh offers an area of multi-functioning pyrotechnical installations and shared technological skills between ceramic and vitrified material productions that help us to give voice to possible linkages among different crafts.